INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT International Peer Reviewed & Refereed Journals, Open Access Journal ISSN Approved Journal No: 2456-4184 | Impact factor: 8.76 | ESTD Year: 2016
Scholarly open access journals, Peer-reviewed, and Refereed Journals, Impact factor 8.76 (Calculate by google scholar and Semantic Scholar | AI-Powered Research Tool) , Multidisciplinary, Monthly, Indexing in all major database & Metadata, Citation Generator, Digital Object Identifier(DOI)
This research paper explores the influence of African art on modernist artists, focusing on Pablo Picasso and the broader modernist movement. The paper begins with a historical overview of African art, tracing its ancient origins, regional diversity, and cultural significance. Traditional African art forms, characterized by stylization and abstraction, played essential roles in rituals, ceremonies, and social cohesion within African societies. The emergence of modernism in the late 19th and early 20th centuries brought a radical shift in artistic expression. The avant-garde movement, seeking new modes of representation, encountered African art's striking aesthetics and non-representational forms. This encounter led to the integration of African elements in modernist art, influencing the development of Cubism and other avant-garde styles. The paper delves into Picasso's exposure to African art, its transformative impact on his artistic style, and its influence on key works such as "Les Demoiselles Davignon" and "Ma Jolie." Picasso's incorporation of African-inspired elements challenged traditional artistic conventions and laid the groundwork for the Cubist movement. Beyond Picasso, the research explores the broader impact of African art on modernist artists like Braque, Gris, and Modigliani. African art's influence extended to other modern art movements, shaping artistic experimentation and expression.
The paper also addresses the complexities of cultural exchange and the ethical considerations of cultural appropriation, challenging Eurocentric perspectives in art history. Through this, we can cultivate a deeper appreciation of the interconnectedness of human creativity and promote empathy and inclusivity within the global art community.
Keywords:
The primary objective of this research paper is to explore the extensive influence of African art on modernist artists, with a specific focus on Pablo Picasso and the broader modernist movement. The research aims to examine the following key questions: 1. How did European artists, including Picasso, first encounter and engage with African art forms? 2. What specific elements and characteristics of African art appealed to modernist artists and how did they incorporate them into their works? 3. How did the infusion of African art influence the development of modern art movements, particularly Cubism and other avant-garde styles? 4. What were the initial reactions and reception of African-inspired modernist art in the art world? 5. How did the integration of African art elements impact the broader narrative of art history, cultural understanding, and discussions on cultural appropriation?
Cite Article:
"The Influence of African Art on Modernist Artist:Picasso and Beyond", International Journal of Novel Research and Development (www.ijnrd.org), ISSN:2456-4184, Vol.8, Issue 9, page no.b61-b70, September-2023, Available :http://www.ijnrd.org/papers/IJNRD2309105.pdf
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ISSN:
2456-4184 | IMPACT FACTOR: 8.76 Calculated By Google Scholar| ESTD YEAR: 2016
An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.76 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator
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