Symbols of Change: Visual, Iconographic, and Contextual Pathways in the Making of Modern Indian Art

Registration ID: IJNRD_323528

Published ID: IJNRD2605221

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Thamina Abdul satar, Dr. Rajesh Kumar

Indian Modernism; Cultural Identity; Postcolonial Art; Visual Analysis; Iconographic Interpretation; Amrita Sher-Gil; Jamini Roy; F. N. Souza; M. F. Husain.

Indian modernism evolved through a dynamic, at times contentious, merging of the country's experience of colonization, the world's modernist movements, and the native visual culture that underwent a revival. Instead of merely replicating the modernist paths of the West, this Indian experience evolved through a pluralism of meaning-seeking within a transforming culture. Critics such as Partha Mitter trace this development to India's pursuit of a modern artistic vocabulary that was worldly and native. In this piece, we shall discuss how these four prominent figures of modern Indian art, Amrita Sher- Gil, Jamini Roy, M. F. Husain, and F. N. Souza, developed new images to address these conflicts. Each of these artists had a different manner of articulating sensitive humanism, folk revival, pluralism, and expressionism. Employing visual, iconographic, and contextual analysis, this research examines eight selected artworks to illustrate how stated tradition responded to the colonial legacy and articulated a new definition of cultural identity. The result, indicative of pluralism within Indian modernism, underscores its broader significance and broadens consciousness. The study finding first from the visual modulations of each of these four artists strongly indicate an intention to move beyond European naturalism , second in Iconographically speaking, it can be concluded that every artist draws on symbols derived from cultural traditions, These symbols differ greatly among artists but share a common theme of struggling with modernity as it is shaped by culture and from the Contextual Analysis what emerges for all four artists was their engagement with the forces of colonialism, nationalism is shaped by colonial transformation, postcolonial colonial Orientalist representations, tpostcolonialtic realism. These research insights suggest that modernism in India was forged through interrelated yet distinct engagements with historical transformation and was therefore multidimensional and culturally informed, rather than unitary or singular modernization.

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Thamina Abdul satar & Dr. Rajesh Kumar (May-2026). Symbols of Change: Visual, Iconographic, and Contextual Pathways in the Making of Modern Indian Art. INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT, 11(5), c187-c205. https://ijnrd.org/papers/IJNRD2605221.pdf

Volume 11 Issue 5, May-2026

Pages : c187-c205

Paper Reg. ID: IJNRD_323528

Published Paper Id: IJNRD2605221

Research Area: Arts All

Author Type: Indian Author

Country: -, -, India

Published Paper PDF: https://ijnrd.org/papers/IJNRD2605221.pdf

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