Paper Title

''Romantic Pursuits in Ode on a Grecian Urn by John Keats'' - A Study

Article Identifiers

Registration ID: IJNRD_201334

Published ID: IJNRD2307160

DOI: Click Here to Get

Authors

Dr. Joghee Senthilkumar , Mr.Biyalfew Gize Lewoyehu

Keywords

Key words: physicality, “parching tongue”, “burning forehead”, human passion, etc.,

Abstract

Abstract: If the “Ode to a Nightingale” portrays Keats’s speaker’s engagement with the fluid expressiveness of music, the “Ode on a Grecian Urn” portrays his attempt to engage with the static immobility of sculpture. The Grecian urn, passed down through countless centuries to the time of the speaker’s viewing, exists outside of time in the human sense—it does not age, it does not die, and indeed it is alien to all such concepts. In the speaker’s meditation, this creates an intriguing paradox for the human figures carved into the side of the urn: They are free from time, but they are simultaneously frozen in time. They do not have to confront aging and death (their love is “forever young”), but neither can they have experience (the youth can never kiss the maiden; the figures in the procession can never return to their homes). The speaker attempts three times to engage with scenes carved into the urn; each time he asks different questions of it. In the first stanza, he examines the picture of the “mad pursuit” and wonders what actual story lies behind the picture: “What men or gods are these? What maidens loth?” Of course, the urn can never tell him the who’s, what’s, when’s, and where’s of the stories it depicts, and the speaker is forced to abandon this line of questioning. In the second and third stanzas, he examines the picture of the piper playing to his lover beneath the trees. Here, the speaker tries to imagine what the experience of the figures on the urn must be like; he tries to identify with them. He is tempted by their escape from temporality and attracted to the eternal newness of the piper’s unheard song and the eternally unchanging beauty of his lover. He thinks that their love is “far above” all transient human passion, which, in its sexual expression, inevitably leads to an abatement of intensity—when passion is satisfied, all that remains is a wearied physicality: a sorrowful heart, a “burning forehead,” and a “parching tongue.” His recollection of these conditions seems to remind the speaker that he is inescapably subject to them, and he abandons his attempt to identify with the figures on the urn.

How To Cite (APA)

Dr. Joghee Senthilkumar & Mr.Biyalfew Gize Lewoyehu (July-2023). ''Romantic Pursuits in Ode on a Grecian Urn by John Keats'' - A Study. INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT, 8(7), b538-b545. https://ijnrd.org/papers/IJNRD2307160.pdf

Issue

Volume 8 Issue 7, July-2023

Pages : b538-b545

Other Publication Details

Paper Reg. ID: IJNRD_201334

Published Paper Id: IJNRD2307160

Downloads: 000121989

Research Area: Social Science and Humanities 

Country: The Nilgiris, Tamilnadu, India

Published Paper PDF: https://ijnrd.org/papers/IJNRD2307160.pdf

Published Paper URL: https://ijnrd.org/viewpaperforall?paper=IJNRD2307160

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