Feminisim in indian cinema - A critical analysis

Registration ID: IJNRD_200617

Published ID: IJNRD2307118

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Prince Prasad, Rahul Tiwari

Feminism in Indian cinema, bollywood

This thesis delves into the representation and evolution of feminism in Indian cinema, particularly in Bollywood. Indian cinema holds immense cultural significance in the country, molding societal perspectives and attitudes. The study analyzes the depiction of women in Indian films, tracing the influence of feminist ideologies on storytelling, characters, and themes. Through an examination of historical context, influential films, and notable filmmakers, this thesis provides insights into the advancements and obstacles faced by feminism in Indian cinema, and its broader impact on society. Indian cinema, widely known as Bollywood, serves as a powerful medium to convey societal messages, reflecting the prevailing cultural norms and values. Over the years, the portrayal of women in Indian films has undergone substantial transformations, paralleling the changing social fabric of the country. This study investigates these shifts, exploring how feminism has influenced the narratives, characters, and themes in Bollywood. To comprehend the progress and challenges faced by feminism in Indian cinema, it is crucial to consider the historical context. Indian society has traditionally been patriarchal, with women's roles largely confined to domestic spheres. However, as feminist movements gained momentum globally, Indian cinema began to reflect these evolving ideas. Filmmakers started crafting narratives that challenged gender stereotypes, providing a platform for discussions on women's rights and empowerment. This thesis also examines key films that have contributed to the feminist discourse in Indian cinema. From the pioneering works of directors like Shyam Benegal and Satyajit Ray to contemporary filmmakers like Meghna Gulzar and Zoya Akhtar, numerous movies have explored themes of gender equality, female agency, and societal prejudices. These films have served as catalysts for change, inspiring dialogues and influencing public opinion. Additionally, the study highlights the notable filmmakers who have consistently advocated for feminist perspectives in their work. Filmmakers such as Deepa Mehta, Mira Nair, and Gauri Shinde have challenged the status quo through their thought-provoking films, pushing boundaries and amplifying women's voices. By examining their contributions, this thesis sheds light on the enduring impact of feminist filmmakers in Indian cinema. The thesis acknowledges the challenges faced by feminism in Indian cinema. While progress has been made, the industry continues to grapple with issues such as gender pay gaps, objectification of women, and underrepresentation of female voices both on and off the screen. By addressing these obstacles, the study seeks to create a comprehensive understanding of the state of feminism in Indian cinema. Ultimately, this thesis aims to illuminate the intricate relationship between feminism, Indian cinema, and society. Through a meticulous exploration of historical context, influential films, and noteworthy filmmakers, it provides insights into the representation of women in Bollywood and its impact on wider society. By critically analyzing the evolution of feminism in Indian cinema, this study seeks to contribute to the ongoing dialogue surrounding gender equality and social progress.

Published Paper   E-Certificate

Prince Prasad & Rahul Tiwari (July-2023). Feminisim in indian cinema - A critical analysis. INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT, 8(7), b164-b189. https://ijnrd.org/papers/IJNRD2307118.pdf

Volume 8 Issue 7, July-2023

Pages : b164-b189

Paper Reg. ID: IJNRD_200617

Published Paper Id: IJNRD2307118

Downloads: 000122256

Research Area: Other

Author Type: Indian Author

Country: New Delhi, Delhi, India

Published Paper PDF: https://ijnrd.org/papers/IJNRD2307118.pdf

Published Paper URL: https://ijnrd.org/viewpaperforall?paper=IJNRD2307118

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