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INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT International Peer Reviewed & Refereed Journals, Open Access Journal ISSN Approved Journal No: 2456-4184 | Impact factor: 8.76 | ESTD Year: 2016 Scholarly open access journals, Peer-reviewed, and Refereed Journals, Impact factor 8.76 (Calculate by google scholar and Semantic Scholar | AI-Powered Research Tool) , Multidisciplinary, Monthly, Indexing in all major database & Metadata, Citation Generator, Digital Object Identifier(DOI) |
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| Paper Title: | ANALYTICAL STUDY OF IMPORTANT TEXT OF ODISSI MUSIC |
| Authors Name: | DR. NILADRI KALYAN DAS |
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| Author Reg. ID: |
IJNRD_187818
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| Published Paper Id: | IJNRD2302218 |
| Published In: | Volume 8 Issue 2, February-2023 |
| DOI: | |
| Abstract: | The root of music in ancient India are found in the Vedic literature of Hinduism. The earliest Indian through combined three arts, melos(gita), syllabic recital (Vadya) and dance(nrtta). Vedas (c. 1500 – c. 800 BCE Vedic period) document rituals with performingarts and play. For example, Shatapatha Brahmana (~800–700 BCE) has verses in chapter 13.2 written in the form of a play between two actors. Tala or taal is an ancient music concept traceable to Vedic era texts of Hinduism, such as the Samaveda and methods for singing the Vedic hymns. Smriti(500BCEto100BCE) post-Vedic Hindu.text texts include texts Valmiki's Ramayana (500 BCE to 100 BCE) which mentions dance.and.music.(dance by Apsaras such.as Urvashi, Rambha, Menaka, Tilotta ma Panchāpsaras, and Ravana's wives excelling in nrityageeta or "singing and dancing" and nritavaditra or "playing musical instruments"), music and singing by Gandharvas, several string instruments (vina, tantri, bīn, vipanci and vallaki similar to veena), wind instruments (shankha, venu and venugana – likely a mouth organ made by tying several flutes together), raga (including kaushika such as raag kaushik dhwani), vocal registers (seven svara or sur, ana or ekash urti drag note, murchana the regulated rise and fall of.voice in matra and tripra mana three-fold teentaal laya such.as drut or quick, madhya or middle, and vilambit or slow), poetry recitation in Bala Kanda and also in Uttara Kanda by Luv and Kusha in marga style. |
| Keywords: | Odissi, Music, Antiquity, Dance, Song, Utkal, Gamak, Kalinga, Raga, Saint Poets, Lord Jagannath, Gamak, Andolita, Arrohi, Dhalu, Sloka, Tal, Geeta, Nada, Murchhana. |
| Cite Article: | "ANALYTICAL STUDY OF IMPORTANT TEXT OF ODISSI MUSIC", International Journal of Novel Research and Development (www.ijnrd.org), ISSN:2456-4184, Vol.8, Issue 2, page no.c151-c159, February-2023, Available :http://www.ijnrd.org/papers/IJNRD2302218.pdf |
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2456-4184 | IMPACT FACTOR: 8.76 Calculated By Google Scholar| ESTD YEAR: 2016 An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.76 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator |
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Published Paper ID:IJNRD2302218 Registration ID: 187818 Published In: Volume 8 Issue 2, February-2023 DOI (Digital Object Identifier): Page No: c151-c159 Country: BHUBANESWAR, DIST-KHORDHA, ODISHA, INDIA Research Area: Arts Publisher : IJ Publication Published Paper URL : https://www.ijnrd.org/viewpaperforall?paper=IJNRD2302218 Published Paper PDF: https://www.ijnrd.org/papers/IJNRD2302218 |
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ISSN: 2456-4184
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