Paper Title
TRADITION OF ODISSI MUSIC IN CLASSICAL CONTEXT: A REIVEW
Article Identifiers
Authors
DR. NILADRI KALYAN DAS
Keywords
Music, Hindustani, Classical, Karnataki, System, Tradition.
Abstract
In the field of music this “compulsion” manifested itself in, among other things, the creation of listener appreciation societies, reforms in music education, the development of systems of notation, and, in the north, attempts to reclaim a “Hindu” music from its Muslim practitioners. In north India these types of activities were spearheaded by scholars and musicians such as Vishnu Narayan Bhatkhande (1860–1936) and Vishnu Digambar Paluskar (1872–1931), and in south India by those like Chinnaswamy Mudaliar and P. Sambamoorthy (1901–1973). By the beginning of the 20th century the modern conceptions of Indian music had formed or were well into the process of forming. Important landmarks in the institutionalization of music in southern India include the forming of a branch of the Gayan Samaj, a music appreciation society, in Madras in 1883; and the forming of the Madras Music Academy in 1928, born out of the previous year’s Indian National Congress session in Madras. The Madras Music Academy in particular had a pivotal role in standardizing Karnatak music and music pedagogy, constructing its history, and defining its place within the larger culture.
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How To Cite (APA)
DR. NILADRI KALYAN DAS (January-2023). TRADITION OF ODISSI MUSIC IN CLASSICAL CONTEXT: A REIVEW. INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT, 8(1), a386-a391. https://ijnrd.org/papers/IJNRD2301045.pdf
Issue
Volume 8 Issue 1, January-2023
Pages : a386-a391
Other Publication Details
Paper Reg. ID: IJNRD_185627
Published Paper Id: IJNRD2301045
Downloads: 000121993
Research Area: Arts
Country: BHUBANESWAR, DIST-KHORDHA, ODISHA, India
Published Paper PDF: https://ijnrd.org/papers/IJNRD2301045.pdf
Published Paper URL: https://ijnrd.org/viewpaperforall?paper=IJNRD2301045
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