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INTERNATIONAL JOURNAL OF NOVEL RESEARCH AND DEVELOPMENT International Peer Reviewed & Refereed Journals, Open Access Journal ISSN Approved Journal No: 2456-4184 | Impact factor: 8.76 | ESTD Year: 2016 Scholarly open access journals, Peer-reviewed, and Refereed Journals, Impact factor 8.76 (Calculate by google scholar and Semantic Scholar | AI-Powered Research Tool) , Multidisciplinary, Monthly, Indexing in all major database & Metadata, Citation Generator, Digital Object Identifier(DOI) |
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| Paper Title: | VOICES VEILED: UNVEILING THE GENDERED NARRATIVES OF DISEMBODIED VOICE IN THE AUDITORY LANDSCAPE OF INDIAN CINEMA |
| Authors Name: | Kaushik Roy |
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IJNRD_213354
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| Published Paper Id: | IJNRD2208184 |
| Published In: | Volume 7 Issue 8, August-2022 |
| DOI: | |
| Abstract: | Abstract: Female voice is a neglected concept within the ambit of feminist film theory. The feminist critique of cinema has largely been concerned about the image track----the ways in which woman is represented as an object of male gaze. Laura Mulvey, for instance, in her groundbreaking article ‘Visual Pleasure and Narrative Cinema’, argued that the spectators are encouraged to identify the look of the male hero and turn the heroine into a passive object of erotic spectacle. The concept of female voice, however, is explored by the American film critic, Kaza Silverman. In her book ‘The Acoustic Mirror’ she argued that in classical narrative cinema, women’s voices are invariably tied to their corporeal anchor, presented as ‘thick with body’. The present paper seeks to show that in cinema gender discrimination operates not only through visual image but also through soundtrack. In Indian cinema female voiceovers are never heard narrating from a disembodied, omniscient perspective outside the diegesis as some male voiceovers do. Drawing on Lacanian psychoanalysis, feminism, and film theory (especially the works of Michel Chion and Kaza Silverman) this paper also intends to offer a critique of the Indian cinema, with special reference to Satyajit Ray’s Shatranj Ke Khilari, Mrinal Sen’s Bhuvan Shome and Ashutosh Gwarikar’s Lagaan, for its complete absence of disembodied female voice. |
| Keywords: | Male gaze, female voice, diegesis, Lacanian psychoanalysis, feminism, disembodied female voice |
| Cite Article: | "VOICES VEILED: UNVEILING THE GENDERED NARRATIVES OF DISEMBODIED VOICE IN THE AUDITORY LANDSCAPE OF INDIAN CINEMA", International Journal of Novel Research and Development (www.ijnrd.org), ISSN:2456-4184, Vol.7, Issue 8, page no.11-16, August-2022, Available :http://www.ijnrd.org/papers/IJNRD2208184.pdf |
| Downloads: | 000118757 |
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2456-4184 | IMPACT FACTOR: 8.76 Calculated By Google Scholar| ESTD YEAR: 2016 An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.76 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator |
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Published Paper ID:IJNRD2208184 Registration ID: 213354 Published In: Volume 7 Issue 8, August-2022 DOI (Digital Object Identifier): Page No: 11-16 Country: Shivmandir, P. O.: Kadamtala, Siliguri, Dist. Darj, West Bengal, India Research Area: Arts Publisher : IJ Publication Published Paper URL : https://www.ijnrd.org/viewpaperforall?paper=IJNRD2208184 Published Paper PDF: https://www.ijnrd.org/papers/IJNRD2208184 |
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ISSN: 2456-4184
Impact Factor: 8.76 and ISSN APPROVED
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